Friday, 29 August 2025

Writng Your Novel - Motivational Tips - Arabella Sheen




 

Here are some practical ways you can keep yourself on track and motivated while writing your romance novel:

1. Set Up a Writing Routine

  • Daily word count or time goal: Decide if you’re aiming for, say, 1,000 words per day or 1 focused hour.
  • Same time, same place: Treat writing like an appointment—your brain learns when to “show up.”
  • Track progress: Use a word count tracker, bullet journal, or even a calendar to see your consistency build.

 

2. Outline Your Romance Roadmap

  • Plot beats: Romance novels often follow key beats (meet-cute, attraction, conflict, resolution). Mapping them out helps prevent stalling.
  • Character arcs: Flesh out your protagonists’ goals, fears, and growth—what they’ll overcome to earn their love story.
  • Mini-milestones: Break the novel into sections (beginning, middle, climax, ending) so each feels achievable.

 

3. Keep Your Spark Alive

  • Mood board or playlist: Collect songs, images, or quotes that capture your story’s vibe.
  • Romance inspiration breaks: Read a chapter of a favorite romance or watch a romantic scene when your motivation dips.
  • Remember your “why”: Write down why this story matters to you and revisit it when you feel stuck.

 

4. Accountability & Support

  • Writing buddy or group: Share word counts, swap feedback, or check in regularly.
  • Public commitment: Post small updates on social media or tell a friend you’re writing this book.
  • Mini-rewards: Celebrate milestones (finishing a chapter, hitting 10k words) with a treat or small reward.

 

5. Protect Your Writing Energy

  • Limit editing early on: Give yourself permission to write badly—you can polish later.
  • Avoid comparison: Focus on your love story, not how fast or perfect others write.
  • Self-care matters: Sleep, movement, and downtime keep your creativity fresh.

 

These are only a few suggestions that might help you to keep on track and complete your novel. And just imagine the sense of achievement you will feel when you’ve finished the book—and you are holding it, sharing it, or just knowing you finally told the love story inside you. Keeping that vision close can be a powerful motivator.

Wishing you all the best on your writing journey…

Arabella Xxx 


About Arabella Sheen



Arabella Sheen is a British author of contemporary romance and likes nothing more than the challenge of starting a new novel with fresh ideas and inspiring characters.
One of the many things Arabella loves to do is to read. And when she’s not researching or writing about romance, she is either on her allotment sowing and planting with the seasons or she is curled on the sofa with a book, while pandering to the demands of her attention-seeking cat.
Having lived and worked in the Netherlands as a theatre nurse for nearly twenty years, she now lives in the south-west of England with her family.
Arabella hopes her readers have as much pleasure from her romance stories as she has in writing them.

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Saturday, 23 August 2025

HER THREE CAPTAINS - Arabella Sheen - Excerpt 1



  

 

Her Three Captains

Arabella Sheen

 

 The Honorable Olivia Trevillion lifted the long skirts of her embroidered silk evening gown and stepped cautiously down from her carriage into the grey oppressive darkness of the night. She had come straight from a rout party given by her aunt. Adorned with glittering jewels and festooned in her best finery, Olivia was hardly dressed to visit a sailor’s tavern on such a cold November night, but time was of the essence. She was in need of help and guessed that the gentleman she thought most likely to be of assistance to her was probably to be found amid the thirsty patrons of The Sailors Haven, which was the black-and-white timber-framed watering hole before her.

 A thick fog was rolling in on the evening’s tide, and several of the tall ships docked on the quayside were already half concealed by the heavy mist that was falling. The unsettling noise of the inn’s inebriated patrons emanating from the tavern could be heard above the soft sound of the lapping waves as they hit gently against the wooden hulls of ships and the stone walls of the dockside, but she wasn’t deterred. She wasn’t here on a whim. She was on a mission and had a purpose.

 “Wait here, Barnet,” she said, impatient to be gone. “I shall not be long.”

 Her coachman touched a finger to his forelock and, with a flick of his hand, signaled for the young groom beside him to go to the front of the carriage and take hold of the horses’ heads.

 “Aye, miss,” Barnet mumbled. “But I ain’t happy about you having no one with you. You ought not to venture in there alone. Would you like Wicks to accompany you?”

 Olivia shook her head. “No, thank you. I’ll be fine.”

 Reminded of possible danger, she felt in the folds of her cloak and was reassured by the heavy weight of her pistol.

 “It won’t be safe for you, miss,” Barnet warned.

 Barnet had worked for her family for many years. He was an old and loyal servant, and Olivia always trusted his judgment. But this was something she had to do, and she had to do it tonight … and alone.

 Drawing her cloak tightly about her person and ignoring her coachman’s counsel, she walked with steady determined strides toward the flickering lights of the tavern. Placing her hand against the gnarled wood of the door, she pushed it open and entered the hostelry.

 The tavern was dimly lit. A roaring fire burned bright in the hearth, and several men with a tankard of ale in one hand and a pretty wench in the other were making free and merry, uncensored by the noisy crowd around them.

 “And what can we do for you, my dear?” asked a buxom woman.

 The woman’s hands were rested on her well-rounded hips, and her dress, where the neckline had slipped low and deep, showed an ample amount of cleavage. She didn’t look like one of the taverns’ punters, more like the landlady. And there was also an air of authority about her that suggested she might actually own the place.

 Olivia peered into the horde of drunken revelers, searching for a familiar face, but she couldn’t see the man she was looking for.

 “I was told Luke Crowe might be here this evening,” she said. “Perhaps I was misinformed.”

 Olivia had just come from her aunt’s rout party where she had overheard mentioned that a ship, The Mattea, had docked in Bristol’s harbor that morning.

 It was also suggested that Luke Crowe and his unsavory crew would undoubtedly be enjoying some of the worldly pleasures that were to be found in one of the quayside’s many taverns that very night.

 “No, my lovely, he’s here all right.” The woman smiled, showing an uneven row of rotten teeth. “You’ve come to the right place. But our Captain Luke ain’t one to sit with the likes of these unruly gentlemen.”

 The woman flicked her head in the direction of her customers as if to indicate they were the undesirables.

 Olivia sighed her relief. “You mean, he’s here? Captain Crowe is here?”

 The fact Luke was to be found at the tavern gave her hope. When entering The Sailors Haven unaccompanied, she had taken a chance and risked her reputation, but it seemed as if her gamble was about to pay off.

 “He always asks for our best parlor at the back of the house. And it’s never anything else but the best. Drink, food … women.” The woman winked. “If you’re after him, he’s sitting with some fine fellows he calls friends, but he doesn’t like being disturbed, not when he’s playing a winning hand of cards.”

 “But I must see him,” Olivia insisted. “It’s an urgent matter, and I must speak with him privately.”

 “As I said, he won’t see anyone, especially if they are a stranger to him.”

 “But I do know him. We were once acquaintances, friends, but…”

 “Ahh, you’re a lady friend of his, are you?”

 Olivia didn’t make an effort to deny the landlady’s wrong assumption. Instead, she dipped her hand deep into her reticule and retrieved several coins. She pressed them into the woman’s palm. “If you would now lead the way…”

 With her palm greased, the woman soon changed her tune. “Well, as I’ve never known him to refuse a pretty lady anything before, you’d best come with me, miss.”

 Olivia was taken to the back of the tavern, where the landlady pulled aside a dark velvet curtain to reveal a room clouded in thick smoke. Men were sitting around a table, and by the pile of coins stacked high in the center, it looked like a game of cards had been in full swing for some time.

 A dark-haired man, strikingly handsome in countenance, with broad shoulders and a broad chest, with supreme confidence in his actions, laid down his cards and leaned across the table. With the arrogant assurance of a winner, he spread his arms wide, and then giving a loud laugh of satisfaction, he gathered the mountain of coins into a heap, pulling them toward him.

 “Thank you, gentlemen. It was my pleasure,” he said.

 The man was indeed Luke Crowe.

 Even though it had been ten years or more since Olivia had last met Luke at Chamber Manor, her family’s home in Devon, she would have recognized him anywhere. He was decidedly older, but just as good-looking, if not more so. A sudden rush of heat surged through her. His dark chestnut-brown hair was tied back from his face with a black ribbon, and a smattering of grey tufts showed amid his dark tresses, but unlike before, Luke was dressed not in a seafaring uniform, but elegantly in a suit made from a rich, finely woven cloth. Matured, sun-kissed and weathered, he still held a mysterious fascination for her.

 Luke raised his eyes from the table and their gazes locked. For a brief moment, a frown of puzzlement marred his brow, and then, with slow deliberation, his hand lifted the thin cheroot he was holding between his fingers to his lips and he inhaled deeply. After exhaling a long, threadlike cloud of tobacco smoke into the air, he stood and bowed low.

 “Gentlemen, there’s a lady in our midst,” he said in a deep, commanding voice.

 Olivia felt deflated. He hadn’t recognized her.

 She had thought he might have remembered her from when she was a child, but he obviously couldn’t recall who she was.

 A scraping of chairs on the hardwood of the bare tavern floor could be heard, and the men seated at the card table hurriedly got to their feet to acknowledge her presence.

 They were all dressed to the height of fashion.

 Wearing fine linen shirts with high pointed collars reaching to just beneath their chins, and kitted out in fancy tailored waistcoats embroidered with fine gold threads, it was apparent that these gentlemen were not of the same social standing as the occupants toward the front of the tavern. But that didn’t mean they had absolutely nothing in common with their fellow patrons. It was clear these men were also inebriated to the point of near senselessness. Most of them were well into their cups and were standing unsteadily on their feet.

 “A lady friend of yours, is she, Crowe? And a mighty pretty one at that.”

 The man who had spoken lifted a glass to his lips. Tilting his head back, he drained the dregs from his goblet. Tottering, he staggered, falling backward onto his chair, and as his head and torso tumbled forward onto the table, the loud snorts and grunts that followed were an unmistakable indication of his level of unconsciousness.

 “You must excuse Lord Hepworth, my dear,” Luke said. “The sight of a beautiful woman tends to have that effect upon him.”

 Olivia caught her breath at the innuendo behind the backhanded compliment. She was not flattered.

 “Captain Crowe, my concern is not for Lord Hepworth and his reaction to the female form. My business happens to be with you, sir. Is there somewhere private where we may speak? I have something I must ask and would feel more at ease if we were alone.”

 Luke gave an indifferent shrug, and she began to wonder if he, too, had overindulged in the carafe of wine that was close to his hand. Was he sober enough to hear her out?

 “As you can see, there is nowhere private in this place. We are as private as we’re likely to be. Which is perhaps a good thing. I would not wish your reputation to be sullied.”

 “Sir, I care not for my reputation. I must speak with you about—”

 “Madam, you might not care for your reputation, but I certainly have mine to think of. All too often I’ve been caught off guard, and never again will I trust a woman.”

 Several men burst into laughter, but even though she knew it was partially the drink talking, she had difficulty seeing the humor in Luke’s remark. Was his glib insult directed at her, or was there something else behind his harsh words?

 Tilting her chin upward, she said, “Please forgive me for wasting your time, Captain. I am at fault. I had thought you could help, but it’s apparent that tonight I’ve made a needless journey. Good night, sir.”

 Pulling her cloak securely around her, Olivia turned and left the room. She was defeated. She had braved the perils of the sailors’ watering hole and had pinned all her hopes on persuading Luke to help her, and it had been to no avail.

 Making her way back through the crowded tavern, she emerged into the chill of the November night and filled her lungs with clean, sea-scented air. She felt dirty and soiled and crushed. Her encounter with Luke had left her feeling defeated. He was obviously not the gentleman she remembered him to be.

 The fog had cleared. Walking to the edge of the quayside, she looked down and saw the bright shadow of the moon reflected as its yellow light rippled across the dark waters of the harbor. Somewhere without family, and lost on the other side of the ocean, was her brother, Joseph.

 She had hoped to help him, but tonight she had failed.

 Returning to where the carriage was stationed, she looked up at the coachman. He sat with reins in hand, awaiting instructions.

 “You may take me home, Barnet. Unfortunately, Captain Crowe is not the man I remembered him to be. He cannot help us.” And with a heavy heart, Olivia made her way home, trying to think of other ways in which she might help her brother.

 

BUY LINKS:  https://books2read.com/u/3G6DlL





About Arabella Sheen



Arabella Sheen is a British author of contemporary romance and likes nothing more than the challenge of starting a new novel with fresh ideas and inspiring characters.
One of the many things Arabella loves to do is to read. And when she’s not researching or writing about romance, she is either on her allotment sowing and planting with the seasons or she is curled on the sofa with a book, while pandering to the demands of her attention-seeking cat.
Having lived and worked in the Netherlands as a theatre nurse for nearly twenty years, she now lives in the south-west of England with her family.
Arabella hopes her readers have as much pleasure from her romance stories as she has in writing them.

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Friday, 15 August 2025

Why Your Book Review Matters - Arabella Sheen

 



Why Your Book Review Matters More Than You Think

You’ve just finished a book. Maybe it swept you away, made you laugh, or left you up until 2 a.m. muttering “Just one more chapter”. Or maybe it left you with mixed feelings and unanswered questions. Either way, one small act can make a big difference—not just for the author, but for future readers: leaving a review.

1. Your Words Are a Lighthouse for Other Readers

When you write a review, you’re giving potential readers a peek into what they can expect—without spoiling the story. Your thoughts help them decide if this is the book they’ve been looking for, whether they’re craving an edge-of-the-seat thriller, a gentle romance, or a mind-bending fantasy.

You don’t need to write a masterpiece. A few honest sentences can guide someone who’s standing (or scrolling) in the middle of a sea of book choices, wondering where to go next.


2. Authors Read Your Reviews—Really Read Them

For many authors, reviews are more than just a number on Amazon or Goodreads—they’re personal feedback from the people who matter most: you, the reader.

Authors look for things like:

  • What resonated – Was there a character you loved? A scene that stuck with you?

  • What could improve – Was something confusing? Did you want more depth or faster pacing?

  • Emotional impact – Did the book make you feel something worth remembering?

This isn’t about changing the story to please everyone—it’s about seeing the reader’s perspective. Constructive feedback helps authors grow and refine their craft so their next book gives you an even better experience.


3. Reviews Keep Great Stories Alive

Algorithms on major book platforms push titles with more reviews into the spotlight. A book with only a handful of reviews risks sinking into obscurity, no matter how good it is. Your review—yes, yours—helps keep a book visible, which means more readers will find it and the author has a better chance of continuing their writing career.

Think of it this way: your review is like a little “word-of-mouth” megaphone, amplifying the story to reach people who might have never discovered it otherwise.


4. You’re Building a Literary Community

Books are a conversation between writer and reader, but reviews turn them into a discussion that includes other readers too. They create a space for shared excitement, respectful debate, and the joy of finding someone who felt exactly the same way you did when you read that plot twist on page 312.


5. It Only Takes a Minute, but the Impact Lasts for Years

Leaving a review doesn’t require hours of thought or professional critique skills. You can:

  • Rate it (stars, thumbs-up, hearts—whatever the platform uses)

  • Share one thing you loved

  • Share one thing you wish had been different

  • Recommend it to a certain type of reader (“If you liked X, you’ll love this…”)

That’s it. Two minutes of typing could influence dozens, maybe hundreds, of future reading decisions.


Bottom line: When you finish a book, take a moment to leave a review. It’s one of the simplest, most powerful ways to support the authors you love, encourage better books in the future, and help other readers find stories worth their time.

Because in the end, stories only truly live when they’re shared—and your review is part of that life.


Happy reading and reviewing...
Arabella Xxx

Friday, 8 August 2025

Plot Structure Elements - Arabella Sheen




Plot Structure Elements 


A guilty confession... I'm sharing this blog post, but it's really meant for me.
The 'Plot Structure Elements' blog is written as a worksheet I can refer back to when plotting one of my new romance novels. There is a general outline - a Four-Act plot structure - that can be loosely followed along with bullet-point suggestions to consider. It also offers additional elements to boost and guide a story's development through its various phases until the Happy-Ever-After is reached.

I hope this blog serves as a starting point for any budding authors out there who, like me, are sometimes unsure about where to begin writing the romance novel they have always wanted to write.
Happy writing...
Arabella

Act I – Setup & Spark


1. Stasis (The Ordinary World) 

  • Describe the protagonist's everyday life before the love story begins.

  • Emotional wounds or beliefs about love

  • Establish a tone, setting, and what's missing

  • Things might be stable—maybe even boring, unfulfilling, or broken in subtle ways.

  • In romance: The protagonist might be single, recovering from a breakup, or stuck in a routine.


Who is your protagonist before love enters the picture?
  • Show their emotional wound or current mindset.

  • Set up their internal conflict about love.

Example: After a disastrous affair, she’s now focused on her career and doesn’t believe in soulmates or happy-ever-afters.


2. Trigger  (Inciting Incident - The Meet)

  • Something disrupts the protagonist's status quo

  • Introduce the love interest or a situation that forces emotional change.

  • An external event forces them into contact

  • The first meeting between the love interests

  • Sparks fly (positive or negative) 

 Example: A chance meeting, returning home, an arranged marriage, a fake dating deal.


The First Connection - They meet in a situation that sparks chemistry, tension, or both. Circumstances throw them together
  • It might be funny, awkward, inconvenient, or electric.

  • There's a “click”—not always positive

  • Forced proximity, a shared goal, fake dating, etc.

  • They start bonding, even if they pretend it’s just casual.

 Example: He’s her rival for a promotion—or her best friend’s ex.


3. Resistance (Refusal of the Call)

  • The protagonist resists the attraction or the danger of developing an emotional vulnerability

  • There is a conflict between the protagonist's goals and the growing chemistry

  • Introduce stakes and inner conflict


Act II – Falling in Love & Rising Stakes


4. The Quest Begins (New Desire or Goal or Refusal of the Call / Resistance)

  • The protagonist begins pursuing something: love, success, escape, or healing.

  • In romance: Often includes emotional and/or external stakes (e.g., “I must keep things professional—but I want more”).

They each have reasons to avoid falling in love.

  • Fear of vulnerability, bad past relationships, and different goals.

  • They deny the attraction or actively resist it.

 Example: She insists it’s just a fling. He swears he’s not her type.


5. Surprise (Obstacles, Complications, Tests)

  • New challenges arise that complicate the quest.

  • This section creates tension: miscommunication, jealousy, secrets, or personal baggage.

  • Emotional stakes increase.

Circumstances throw them together.

  • The protagonists are thrown together with a shared purpose or problem

  • Forced proximity, a shared goal, fake dating, etc.

  • They start bonding. They see each other differently, even if they pretend it’s just casual

  • Romantic tension builds

 Example: A wedding road trip where they’re mistaken for a couple.


6. Critical Choice (Turning Point - Mid Point / The Fall)

  • The character must make a meaningful, often irreversible decision.

  • It often tests their growth or fears.

  • In romance: A moment of vulnerability or breakthrough. Will she open up and risk rejection? Will he sacrifice his comfort for love?

They let their guard down. Hope blooms.

  • Often a first kiss, confession, or moment of emotional vulnerability.

  • They begin to imagine a future—though fears still linger.

 Example: She tells him about the one time she got her heart broken. He makes her laugh until she forgets.


7. Climax (The Confrontation or Revelation - Fun and Games / Emotional High)

  • The emotional high point—everything comes to a head.

  • It could be a grand confession, a painful breakup, or a secret revealed.

  • Forces the characters to confront their truths.

They’re “together” (openly or secretly).

  • Romantic scenes, sex scenes, trust issues scenes, and bonding scenes.

  • This is the heart-flutter part—the “honeymoon” stage.

  • They act like a couple—even if they deny it

 Example: A slow dance, a snowball fight, or sex that’s more meaningful than expected.



Act III – The Break & Crisis 


8.  The Bad Thing / The Breakup (Climax)

Something goes wrong—internally or externally.

  • A secret comes out, or one of them pulls away.

  • Miscommunication, betrayal, or sacrifice

  • It’s usually driven by fear, not hate

  • Emotional or external conflict forces a split

  • Protagonists retreat to old fears

 Example: He’s offered a job across the country, and she assumes he’ll choose it over her.


9. Reversal (New Understanding - Reflection)  

  • The protagonists experience insight or growth after the climax.

  • Protagonists reflect and realise what they lost

  • Their internal world shifts—they push forward—this is where they earn their happy (or bittersweet) ending.

Both characters realise what they’ve lost.

  • Emotionally, they have changed and grown. One or both reflect on how they’ve changed.

  • They may get advice from a friend, or see something that triggers clarity.

Example: She finds an old photo and sees how much happier she looks now than before him.


Act IV – Grand Gesture & HEA

10. Grand Gesture and Resolution (New Normal / Together at Last)

  • One or both take a risk for love

  • Confession, sacrifice, reunion

  • Emotional pay off: vulnerability is rewarded

  • The relationship is solidified

  • Protagonists have changed for the better

  • The story’s loose ends are tied up.

  • Tie up the loose ends of secondary characters

  • The characters enter a new, evolved phase of life or love.

  • In romance: This is often the final image of love, warmth, and a hopeful HEA (Happily Ever After) or HFN (Happy For Now).

We see them happy, stable, changed.

  • It can be a wedding, but doesn’t have to be—just proof that love is there

Example: They’re moving in together, planning a trip, or laughing in bed 

Optional Layers (Especially Useful in Romance):

  • Theme Reversal – Something that was true in the beginning is flipped. (e.g., “I’ll never fall in love” → “I can’t imagine life without them”)

  • Mirror Moments – Midpoint scenes that reflect character growth or reveal emotional stakes.

  • Subplots – Friendships, family dynamics, or career arcs that support the central love story.




HER THREE CAPTAINS - Arabella Sheen - Excerpt 2

        Her Three Captains Arabella Sheen Chapter Two   Luke, with hat and cane in hand, and dressed in a long woolen greatcoat with thick m...