Writing Tips - Show vs Tell

 

When it comes to the "show, don't tell" rule in writing, there are a few different approaches that a romance novelist can take. Here are some tips to keep in mind:

1. Use sensory details: Rather than simply telling the reader how a character feels or what they look like, try to show these things through the sensory details. For example, instead of saying "She was nervous", you might describe how her palms were sweating or how her heart was pounding in her chest.

2. Use dialogue: Dialogue can be a great way to show the reader how characters are feeling or what they're thinking. Instead of having a character think to themselves about how much they love someone, for example, you could have them say it out loud to the person.

3. Use Action: Another way to show rather than tell is to use action to convey a character's emotion or thought. For example, if a character is angry, you might show them slamming a door or clenching their fists. 

4. Use setting: The setting can also be a useful tool for showing rather than telling. For example, if you want to convey that a character is feeling isolated or alone, you might describe a deserted street or a dark room. 

Overall, the key is to be descriptive and specific in your writing and to think about how you can use various elements of storytelling (like dialogue, setting, and sensory details) to convey your characters' emotions and thoughts in a way that feels natural and engaging to the reader.

THE NEXT STEP - Arabella Sheen

 

WEEK SEVEN – THE NEXT STEP

 The words have been written and the story told. Congratulations on completing your novel! That’s a huge achievement. Now that the manuscript is done, here are some key steps an author should consider doing next:

1. Revision and Editing

2. Decide on a Publishing Path

3. Build Your Author Platform

4. Marketing and Promotion

5. Legal and Business Considerations

6. Plan Your Next Steps

Over the next couple of weeks, I’ll be posting several blogs that cover these steps in more detail, and I hope they'll be useful to you.

Happy writing…

Arabella Xx

  You’ve completed the publishing cycle for a book. Now comes the strategic thinking about how to build a lasting author career. Here’s what to consider for your next step:

 

1. Plan the Next Book (or Series)

Momentum is key in building a readership.

Start your next manuscript: Consistency builds trust with readers and algorithms alike.

Consider:

A sequel or series (if readers want more).

A spin-off or companion novella.

A completely new genre or theme if you're pivoting.

Create a production timeline: writing, editing, release, marketing.

If you write in series, planning a 3–5 book arc can help long-term visibility and sales.

 

2. Build a Sustainable Publishing Pipeline

Don't treat your author career as a one-off. Ask:

Will you publish 1–2 books a year? More?

Do you want a hybrid career (mix of traditional and indie)?

Can you start batching tasks (e.g., writing one book while editing another)?

Are you building assets (backlist, lead magnets, evergreen content)?

The more books you have, the more discoverable you become—and the more income streams you open.

 

3. Update and Leverage Your Backlist

Even older books can keep working for you.

Add back matter to link to newer books.

Launch box sets or omnibus editions.

Run new promotions, ads, or discounts.

Create audiobooks or new formats (hardcover, large print).

Translate into new languages (if budget allows).

 

 4. Grow and Nurture Your Reader Community

Your audience is your foundation. Strengthen those relationships:

Keep engaging via your email list.

Offer bonus content, Q&As, or reader polls.

Host live events, workshops, or virtual book clubs.

Use Patreon, Ko-fi, or similar platforms if you want to offer exclusive content or monetization tiers.

Loyal readers are your best marketers—give them reasons to stay connected.

 

5. Invest in Skills and Learning

Sharpen your creative and business edge:

Take courses in writing, editing, marketing, or advertising.

Attend conferences, both virtual and in-person.

Learn about story structure, genre trends, or branding.

Subscribe to industry blogs or podcasts to stay up-to-date.

You don’t have to master everything—but continuous learning pays off.

 

6. Think Like a Publisher

As your catalog grows, you’re not just an author—you’re also a publisher.

Consider outsourcing repetitive tasks (editing, formatting, admin).

Develop a branding strategy across your covers, tone, and messaging.

Track income streams and look at where to scale.

Build a team or system that helps your business run smoothly.

The more you treat your writing like a business, the more scalable and profitable it becomes.

 

7. Define Your Long-Term Author Vision

Zoom out. Ask yourself:

What do I want my writing career to look like in 3–5 years?

How many books do I want in my backlist?

What kind of reputation do I want in my genre?

What balance do I want between writing, publishing, and life?

Having a clear vision can guide your daily decisions and keep you focused on what truly matters to you.

 

Final Thought:

Once you’ve “finished everything,” you’re not actually finished—you’re just at the start of the next cycle in a long and fulfilling creative career.

 

Wishing you all the best when planning your NEXT STEP...

Arabella Xx

Be sure to watch out for seasonal updates and the latest news about my books as they fall into your email inbox. Sign up for my newsletter HERE  

 

FLEETING ENCOUNTERS: Emma - A Regency Romance - EXCERPT 2

   

FLEETING ENCOUNTERS:

Emma

Arabella Sheen

Fleeting Encounters Series ... offers erotic Regency bedtime reading

A merchant’s daughter and a destitute nobleman. Can a marriage of convenience solve their problems?

Miss Emma Brentry is happy with life, but she feels the time has come to marry. Her father, a wealthy glass merchant, has expectations of grandchildren, and Emma doesn’t wish to disappoint him. Reluctantly, and somewhat halfheartedly, she begins the search for a husband.

Mr. Aaron Trent, a gentleman of noble birth, returns to England fresh from the Napoleonic war with a scar and limp to prove it. During his absence, his estate, Windhurst Hall, has been pledged by his cousin at the gaming tables. He is now in search of the necessary funds with which to buy back his home.

Traveling to Bath, Emma finds herself stranded on the road and is compelled to stay the night at The Stag and Hounds posting inn. She encounters Aaron, an attentive, handsome stranger, who offers her some much-needed assistance. Instant attraction is felt by both, and as dusk falls, Emma makes Aaron an offer he finds difficult to refuse.

With his pride standing in the way, can Aaron stay true to his principles, or will he, with reckless, passionate abandonment, succumb to Emma’s powers of persuasion?

Content Warning: contains explicit, sensual love scenes

Excerpt 2...

Emma felt flustered and out of her depth. Approached by a stranger, she had no idea how she ought to react. Should she be affronted, or should she simply ignore him? If he was prepared to assist, she decided that perhaps she ought to be civil in case she was compelled to accept his offer of help.

“My name is Emma Brentry, and I’m from Bath, sir.”

Emma stood and dropped a curtsy. She wasn’t used to introducing herself to strangers. Then again, neither was she used to frequenting posting inns.

“Miss Brentry.” The gentleman bowed. “Mr. Aaron Trent at your service. I was about to suggest I collect your belongings. My curricle is outside, and as I have yet to stable my grays, it will be no hardship to drive a mile or two and retrieve your luggage. Is that idea acceptable to you?”

The man before her was olive-skinned and unfashionably bronzed, as if he’d spent much of his time outdoors in the sun. He had a strong jawline and a straight nose that hinted of noble birth. For some unknown reason, Emma felt the immediate pull of his undeniable magnetism and was instantly attracted.

“The idea of you collecting my luggage is more than acceptable, sir. But might I be so bold to suggest I accompany you? You see, my father’s coachman, Gresham, is suspicious of most people we encounter, and he might not relinquish my belongings to you. I would also like to assure him that I am all right. He’s such a worrier, and as you and I are not known to one another…”

“I’m pleased to hear you have a coachman. To be honest, I was beginning to doubt your story. I could not envisage you driving a barouche or tackling the problems of a broken wheel alone. Certainly, you may ride with me. As for my credentials, here is my calling card.” Aaron’s hand delved into his pocket and emerged with a delicately engraved silver card case. He flipped the lid open and handed her a card. “Griffin will also vouch for me. Will you not, Griffin?”

“Course I will, Major Trent, sir. I’ve known you nigh on ten years or more. You’ve often stayed in Newton Saint Loe with your uncle, Lord Merton―God rest his soul. Merton Manor is just down the road. His lordship was always well-respected hereabouts. It’s a shame he passed away. And now that your cousin has―”

“Thank you, Griffin. I’m certain Miss Brentry has no need of my life history. If you could see your good wife prepares a room for her, and also somewhere for the coachman to sleep, we shall be indebted.”

“Yes, sir. I’ll ask Mrs. Griffin to see to it right away.”

Aaron placed his hand beneath Emma’s elbow, and he steered her carefully toward the door. As they stepped away from the inn and emerged into the bright sunlight and fresh air, she was made aware of exactly how dark and musky it had been inside. Taking a deep, cleansing breath, she turned to face Aaron.

Glancing briefly at his calling card, she read his details before placing it in her reticule for safekeeping. He seemed an honest enough person, and her instincts told her she could trust him.

“Well, Mr. Trent…what now, sir?” she asked.

Emma tilted her head to look up at Aaron. She estimated he was all of six-foot-two inches, and in the afternoon light, she could see that what she had thought to be dark brown curls were in fact jet-black locks. And then she noticed the rough, jagged line of a scar across his left cheek. It looked raw, fresh, and ugly.

As his eyes looked searchingly into hers, seeking her reaction to his injury, she only just managed not to turn her gaze away with unthinking revulsion. When inside the inn, she had not seen the scar, but perhaps that was because Aaron had intentionally kept his face averted in order to conceal the unsightly wound.

Emma looked across the cobbled yard and noticed an ivory-colored phaeton with two matching grays. It was standing near the water trough.

She hadn’t noticed the carriage earlier and surmised that the stagecoach, while waiting to depart, had blocked her view. It was a fine piece of equipment, and if she was of a sporting nature, which she wasn’t, she would be full of admiration for the elegance of the carriage and the thoroughbreds attached.

“Your carriage awaits, my lady. Shall we?”

As they walked toward the phaeton, Emma detected a slight limp in Aaron’s gait. At first, she’d thought the ivory cane he held was purely a fashionable accessory, as most dandies and coxcombs carried such a thing with them, but she’d been wrong. Aaron wasn’t using the cane for effect; he used it for support and as a walking aid.

Thinking it best not to comment on his disability, Emma remained silent. She didn’t want to offend. If she offered assistance, he might feel affronted.

Reaching the carriage, and without further ado, Aaron took her hand, and then, placing an arm around her waist, he assisted her onto the high seat of the phaeton. It felt strange having a man touch her. But there was no one to see. No one to chaperone, and no one to condemn their actions either. To Emma, it felt excitingly illicit. Being so free with a man and behaving in such a way was not her normal behavior.

Aaron walked around to the other side of the vehicle and joined her. They were perched on high, and to Emma, who had never previously ridden in such an excellent carriage, the ground seemed ominously far below.

She was unusually nervous. She was about to set off with a stranger and was aware that anything could happen.

The phaeton was light and well-sprung, and she’d been told by Harold, her sister’s husband, that to own such a carriage was extremely fashionable.

Emma leaned forward and smiled. “In case I forget, I must say how grateful I am for your thoughtfulness, and I do appreciate your kind offer. I have no idea how I am to repay you for your kindness, but I shall―”

Cutting her speech of thanks short, Aaron lifted the reins and asked, “Left or right?”

“Um…turn right, please. It is not far, and we should be there in―”
Her words were lost as, with a flick of the whip, the horses sprang forward and they were off at a spanking pace.

When Mr. Aaron Trent left Bath that morning to call upon his cousin at Merton Manor, he had not expected to lodge overnight at The Stag and Hounds. During previous visits, he’d often used the inn as a watering hole, but had only once before, when a snowdrift had made it impossible for him to reach his cousin’s house, sought bed and board beneath Griffin’s roof.

That morning, Aaron had traveled to Newton Saint Loe, a small village near Corston, with the intention of calling upon his cousin, Lord Phillip Merton. However, upon reaching Merton Manor, Aaron had been greeted at the door by Carter, the butler, and informed his cousin wasn’t receiving visitors that day. Carter had been instructed to say his lordship was indisposed until further notice.

Ignoring this message, Aaron entered the manor, and shrugging off his caped greatcoat, he passed it to the butler, along with his beaver hat and kidskin gloves.

“There is no need to worry.” Aaron touched Carter reassuringly on the shoulder. “I shall see you are not dismissed for allowing me entry. But if you should be, you may call upon me at Windhurst Hall, and I shall find you a position. That is, if I still have a roof over my own head.”

Then, unceremoniously, and with angered haste, Aaron made his way up the grand staircase until he reached his lordship’s bedchamber.

Without a knock, he entered.

The room wreaked of stale smoke, alcohol, and the stench of…sex.

Beneath the curtained canopy of the four-poster bed and shrouded in rumpled, disheveled bedsheets were Lord Phillip Merton and an unknown woman. They were naked and lying entangled in one another’s arms.

Fleetingly, Aaron wondered how long his cousin and the young woman had been asleep. It was nearing mid-afternoon and they were still dead to the world. But with ruthless disregard for their slumberous condition, Aaron walked to the window, pulled back the heavy, velvet drapes, and flung the windows open wide, allowing the chilled air outside to invade the stiflingly hot, reeking room.

The woman was the first to stir. “Oh…lordy, lordy, lordy. I ain’t supposed to be found here. If Mrs. Hawkins should find me…”

She reached for the sheets, trying to cover herself and shield her body from Aaron’s scathing stare. From her accent and words, Aaron surmised that the wench was a house servant of sorts.

“I suggest you leave,” Aaron told her.

Scurrying to collect her scattered clothes, she hurriedly dressed and fled the bedchamber, slamming the door fiercely behind her before Lord Merton had an opportunity to stir.

“Phillip, wake up. Get out of bed, man.” When there was no response from his unconscious cousin, Aaron picked up a pitcher of water from the washstand and poured its contents uncaringly onto the dozing Phillip.

His lordship was instantly awake. Spluttering and shouting, he cursed until he eventually recognized Aaron as his abuser.

“Damnation, Aaron. I thought you were Carter. What in the world are you doing in my bedchamber? And why the sudden awakening?” Phillip put his hand to his brow, shielding his eyes from the bright sunlight as he turned the air blue with profanities. “I feel as if an axe is buried in my head. How much did I drink last night?”

Aaron shrugged his shoulders and returned the now empty pitcher to the washstand. “How the hell should I know? I was not here.”

Standing with his arms akimbo, Aaron assessed his cousin’s condition.

“Well, you ought to have been here,” said Phillip. “That scullery maid was more than accommodating, and I’m sure she could have found a suitable friend to satisfy your needs.”

Aaron gave a snort of disgust. “Your offer, although I’m sure kindly meant, would have been refused. I like my women willing, not coerced. Servants generally feel under an obligation to their masters, whereas courtesans, although more expensive, are less of a problem in the long run. Take my advice and stay away from the servants.”

Phillip scratched his head. “What are you doing at Merton Manor, and at this ungodly hour? As far as I knew, you were supposed to be somewhere on the south coast, recovering from war wounds. I was told it would take at least a year for you to fully recover. There were also rumors you would not make it at all―that you would die.”

“Is that why you spent most of my fortune and entailed my estate?”

Before enlisting and leaving England to fight Bonaparte in France, with the likelihood of not returning from the war, Aaron had signed a document stating that in the event of his death, his cousin was to be the sole beneficiary of the estate. During his absence, Phillip was also to act as trustee and executor of any business involving Windhurst Hall. Only the plan had backfired.

Returning to England, Aaron discovered the trust he had placed in his cousin had been abused. Having gained access to Aaron’s fortune, Phillip had squandered most of the holdings and had entailed Aaron’s home, Windhurst Hall, leaving Aaron with only a pittance upon which to live.

  

FLEETING ENCOUNTERS: Emma

Copyright © 2022, Arabella Sheen

ISBN: 9781739771034

Publisher: priceplacebooks

Electronic Publication: February 2022

Editor: Lynne Sully

Cover: Fantasia Frog Designs

eBooks are not transferable. No part of this book may be used or reproduced without written permission, except in the case of brief quotations in articles and reviews.

This book is a work of fiction and any resemblance to persons, living or dead, or places, events or locales is purely coincidental. The characters are productions of the author’s imagination and used fictitiously. 

About Arabella Sheen

Arabella Sheen is a British author of contemporary romance and likes nothing more than the challenge of starting a new novel with fresh ideas and inspiring characters.

One of the many things Arabella loves to do is to read. And when she’s not researching or writing about romance, she is either on her allotment sowing and planting with the seasons or she is curled on the sofa with a book, while pandering to the demands of her attention-seeking cat.

Having lived and worked in the Netherlands as a theatre nurse for nearly twenty years, she now lives in the south-west of England with her family.

Arabella hopes her readers have as much pleasure from her romance stories as she has in writing them.

Social Media

Website: http://www.arabellasheen.co.uk/

Twitter:  http://twitter.com/ArabellaSheen

Facebook Author: https://www.facebook.com/ArabellaSheenAuthor

BUY LINKS:

Books2Read: https://books2read.com/u/bwKwzv 

Amazon Kindle, Nook, Apple, Kobo, Smashwords, etc.

Arabella Sheen  http://arabellasheen.co.uk 

LEGAL and BUSINESS CONSIDERATIONS - Arabella Sheen

WEEK SIX – LEGAL and BUSINESS CONSIDERATIONS

The words have been written and the story told. Congratulations on completing your novel! That’s a huge achievement. Now that the manuscript is done, here are some key steps an author should consider doing next:

1. Revision and Editing

2. Decide on a Publishing Path

3. Build Your Author Platform

4. Marketing and Promotion

5. Legal and Business Considerations

6. Plan Your Next Steps

 

Over the next couple of weeks, I’ll be posting several blogs that cover these steps in more detail, and I hope they'll be useful to you.

Happy writing…

Arabella Xx

 

Authors are not just creatives; they also become small business owners and rights holders, especially if they self-publish. Whether traditionally published or indie, here are the key legal and business considerations authors should keep in mind:

1. Copyright Ownership

You automatically own the copyright to your work the moment you write it.

In most countries (including the U.S.), you don’t have to register your copyright, but registering:

Provides legal proof of ownership.

Allows you to sue for damages if someone steals or plagiarizes your work.

Consider registering your copyright with your national copyright office (e.g., U.S. Copyright Office) when your book is ready for publication.

 

2. Contracts (Traditional Publishing & Freelancers)

If you’re:

Traditionally publishing, you’ll sign:

A publishing contract outlining rights, royalties, delivery timelines, termination clauses, and more.

Possibly an agent agreement (typically 15% commission on earnings).

Self-publishing, you may still need contracts with:

Freelancers (editors, designers): Ensure you retain full rights to your content, especially your cover and interior files.

Collaborators (co-authors or ghostwriters): Spell out ownership, revenue split, and responsibilities in writing.

Never sign a contract without reading it carefully or consulting a publishing lawyer or agent.

 

3. Business Structure

If you intend to make regular income from your writing, consider creating a business entity:

Sole proprietorship (default in most places).

LLC or limited company: Offers liability protection and potential tax advantages.

Business license: Some localities require a license to sell goods (including books).

Check your local/state/province laws to see what’s required where you live.

 

4. Taxes and Accounting

As an author, your book income is taxable. Consider:

Tracking income and expenses: Keep records of sales, royalties, marketing costs, software, travel, and home office expenses.

Estimated taxes: You may need to pay quarterly taxes if you're earning steadily.

International sales: Be aware of foreign tax withholding and treaties if you sell globally.

Tools to help:

QuickBooks, Wave, or Excel for accounting.

PayPal and Stripe for online sales tracking.

Consider talking to an accountant with experience in creative businesses or self-employment.

 

5. ISBNs and Imprint

ISBN (International Standard Book Number):

You need one for each format of your book (e.g., ebook, paperback, hardcover).

You can use free ones (from Amazon KDP), but the retailer becomes listed as the publisher.

To control your publishing brand, buy your own from your national ISBN agency (e.g., Bowker in the U.S.).

Imprint name: Optional, but professional. It becomes your publisher name on record.

Buying your own ISBNs is best for long-term control and branding.

 

6. Intellectual Property and Subsidiary Rights

Your book has multiple potential revenue streams:

Primary rights: Publishing the book itself (print, ebook, audio).

Subsidiary rights:

Translation rights

Film/TV adaptation

Audiobook production

Merchandising

 

Anthologies, reprints, serialization: Can be sold separately.

Retain rights when possible or license them selectively. Be clear on the rights you’re granting in any publishing contract.

 

7. Terms of Service for Platforms

When using services like Amazon KDP, IngramSpark, or Draft2Digital:

Read their Terms of Service carefully.

Know their policies on:

Pricing control

Exclusivity requirements (e.g., Kindle Unlimited demands exclusivity)

Royalty rates

Payment thresholds and schedules

If a platform changes its terms, you may need to adapt quickly—stay informed.

 

8. Privacy and Online Safety

Use a P.O. Box or virtual mailbox for fan mail, returns, or public listings.

Avoid using your personal home address when registering domains or ISBNs.

Consider a pen name if you want to separate personal and professional identities.

 

Wishing you all the best when you work on the Legal and Business Considerations for your books...

Arabella Xx

Be sure to watch out for seasonal updates and the latest news about my books as they fall into your email inbox. Sign up for my newsletter HERE